Tag Archives: Filmgoer’s Guide to the Best Films

Jan 30 2019
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A Filmgoer’s Guide to the Best Films of 2018

“Now more than ever we need to talk to each other, to listen to each other and understand how we see the world, and cinema is the best medium for doing this.” — Martin Scorsese 

I include this quote from Martin Scorsese to introduce this year’s A Filmgoer’s Guide to the Best Films of 2018 for a couple of reasons. First, the stories and themes each year reflect the times in which we live and address the issues we face as we look back at history, confront the present, or escape into a future, real or fantastical. Second, filmmaking and filmgoing bridges artist with audience, storyteller and viewer. Continue reading →

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Jan 29 2018
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A Filmgoer’s Guide to the Best Films of 2017

“Cinema, for me, has always been something like music composed with photographic images.” — Roger Ebert 

Continuing the metaphor of cinema as music, 2017’s playlist featured all genres, tempos, and beats, from comic book heroines, car chases, psychological thrillers, to fantasies, historical events, satire, and romance. Apes waged war against people, countries battled each other on land, sea, and air, mothers and daughters argued, three billboards in Ebbing, Missouri asked a provocative question, and all the money in the world could not save the reputations of Kevin Spacey, Harvey Weinstein, and most recently, James Franco, and a long list of Hollywood men whom were exposed and called out by the #MeToo movement, which is changing the culture of the filmmaking industry and giving voice, long overdue equity, and opportunity to women, much like the change ignited by 2015’s #OscarsSoWhite. Continue reading →

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Jan 17 2017
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A Filmgoer’s Guide to the Best Films of 2016

I dedicate this essay to my mother, Ethel Mae Lenzke, who shared her love of movies with me while I was growing up, and to my filmgoing friends and family who join me for movies and post-film discussions. And — as a thank you and a tribute to Roger Ebert — I give you Two Thumbs Up!   

There were some interesting trends and controversies again in 2016, even before all the award shows have named their winners and bestowed their accolades. This year, more than in the past, independent films rose to the surface competing with the studios and their marketing machines. Word of mouth by filmgoers, especially on social media, had a measurable impact. Many franchises and/or remakes didn’t capture the audiences and box office receipts they projected. More options affected where and how we viewed content, from additional film distributors, downloads and subscription services, expanding the choices and the venues, from theaters, to home, to the backseat of a car, or at work during lunch breaks on Smartphones.  Continue reading →

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Jan 10 2016
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A Filmgoer’s Guide to the Best Films of 2015

First, as a filmgoer I want to begin by acknowledging that 2015 was an excellent year for movies.  Blockbusters like Mad Max: Fury Road and Star Wars: The Force Awakens both entertained the filmgoing audiences and made money for the studios. Dramas and biopics told stories about people and events that shaped politics and culture, including Brian Wilson of the Beach Boys in Love and Mercy, Steve Jobs in both documentary and narrative films about his life, the Cold War in Bridge of Spies, and the Blacklist of screenwriters accused of being Communists in 1950s Hollywood in Trumbo.  The mortgage banking and financial crisis of Wall Street was portrayed in The Big Short, and one of the best films of the year, Spotlight, revealed the pervasive abuse of vulnerable children by Catholic priests in Boston and beyond by the investigative reporters of the Boston Globe. Continue reading →

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